Each of the 40 exercises has full step-by-step instructions, post-exercise remarks and sample finished drawings. There is more than one exercise for each of the five basic skills plus a few using other media such as charcoal, conte crayon and pen and ink.
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The plastic viewfinder is a bonus though you may want to stiffen the edges by reinforcing it by sticking on some card. Somewhere deep inside, we all have a longing to make things — be they drawings, music, hand-knit sweaters, or loaves of bread. Then why do so few us consider ourselves creative? So, in his late thirties, he picked up a ballpoint and taught himself to draw.
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The result was a whole new perspective on life — which he now shares in this beautifully illustrated program for reconnecting to our own creative energies. He gently instructs in the art of allowing ourselves to fail, giving up the expectation of perfection and opening our eyes to the beauty around us. The result is The Creative License , a wild celebration of amateurism, full of humor, passion and encouragement, sure to inspire every doodler, frustrated writer, wannabe musician, and midlife-crisising executive — in other words, the artist inside every one of us.
Find out the Contents of The Creative License here Anna says: The Creative License is a beautiful book — oozing colour and creativity, the hand-written type giving it a personal, journal-like feel. Just drawing and capturing your life and others. Great fun, inspiring and highly recommended. It has nothing to do with artifice or technique. It has nothing to do with aesthetics or conception. It has only to do with the act of correct observation, and by that I mean a physical contact with all sorts of objects through the senses.
A classic drawing book it has sold over , copies in hardcover but it is not a book for the faint-hearted and nor for the beginning student. Nicolaides suggested drawing schedule is daunting and I think unrealistic for many of us. A great learning opportunity if you can do it. The contour drawing done in the Drawing on the Right Side of the Brain workshop is based on the work done by Kimon Nicolaides. This book documents his explorations, his discoveries and his opinions as he explores the work of artists such as Caravaggio, Velasquez, van Eyck, Holbein, Leonardo and Ingres.
He describes how they made use of innovations of the time such as lenses and mirrors to create their masterpieces. Hockney concludes that this does not "diminish their achievements. For me, it makes them all the more astounding". Our suggestion is that you see them like trainer wheels when you are learning to ride a 2-wheel bike. I love this book for more than the content of the text - and to be honest I can take or leave the controversy - the quality of production is superb — over top-quality colour illustrations, many of them full page and including details of major works, plus gatefolds all provide a wonderful resource for anyone interested in art.
You can drown in the colour images….
There are detailed explanations of various optical aids — what they look like, how they work and the effects they have on drawing. Overall it covers the visual evidence as well as the textual evidence and there is an extensive bibliography as well. This is a book about what it feels like to sit in your studio or classroom, at your wheel or keyboard, easel or camera, trying to do the work you need to do. It is about committing your future to your own hands, placing Free Will above predestination, choice above chance.
It is about finding your own work.
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Anna says: You may not consider yourself as an 'artist' and therefore think this book can't offer you anything. I think the labels we impose on ourselves or don't are often unhelpful and limit us. This books considers the myth of 'talent' and emphasizes that artmaking involves skills that can be learned. Perseverence and hard work often come out ahead of someone with so-called 'talent'. It encourages you to "learn how to make your work by making your work, and a great many of the pieces you make along the way will never stand out as finished art. It points out that "what separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit.
Each step in the artmaking process puts that issue to the test. It's important to accept that you will do lots of drawings that you don't like - you don't have to like everything you do. You will be disatisfied with your drawings often. It is this desire to improve, learn and get better that drives us forward. We can wait for the 'perfect time' to do something The only time to change is now.
Ansel Adams said "the perfect is the enemy of the good", ie. The damage is very small and does not affect the interior but I like to let my buyers know exactly what they are getting for a fair price. See details. Buy It Now. Add to cart. His popular series of guides continues to assist students and teachers today.
In this volume, dozens of black-and-white illustrations are accompanied by text that offers background on the blossoms' origins, colors, and symbolism.
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Perard shows how a variety of lines can add texture, light, and movement to images of violets, daisies, daffodils, lilacs, and other garden favorites. With a natural affinity for flowers of every kind, Perard reveals the rewards of this artistic effort the development of a sense of composition and an eye for balance in design.
Includes a list of state flowers. Additional Product Features Dewey Edition. Show More Show Less. Add to Cart.
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